Current Works
These works treat softness not as fragility, but as a structural force. Built through wrapping, binding, and accumulation, each form holds tension between collapse and support - where care becomes an organizing system. Drawing from domestic textile traditions and conceptual systems thinking, the sculptures use repetition and constraint to shape form. Braids, loops, and layered surfaces function as both gesture and architecture - binding bodies, containing energy, and sustaining weight.
Forms of Care Sculptures
These works center on the body as a site of holding - where structure emerges through repetition, compression, and accumulated gesture. Figures are constructed rather than modeled, allowing material behavior to determine form as softness becomes structure.
Mother & Baby, 2025
Cheesecloth & Steel Armature
26" x 24" x 24"
Weeping Woman No. 1, 2025
Cheesecloth & Steel Armature
38" x 36" x 24"
Weeping Woman No. 2, 2025
Cheesecloth & Steel Armature
28" x 28" x 22"
Weeping Woman No. 3, 2025
Cheesecloth & Steel Armature
18" x 14" x 14"
Ghosted, 2026
Cheesecloth & Steel Armature
22” x 18” x 14”
Horse Study I, 2026
Cheesecloth & Steel Armature
29” x 16” x 12”
Sleeping Woman, 2025
Cheesecloth & Steel Armature
42" x 18" x 24"
Wall Works
Each wall work extends the same language of binding and accumulation, as they integrate surface and structure, rendering support and image inseparable.
The Deeps, 2026
Acrylic, Cheesecloth & Steel Armature
40" x 30”
Horse Study II, 2026
Cheesecloth & Steel Armature
40” x 30”
Exhausted, 2025
Cheesecloth & Steel Armature
28" x 40" x 6"
Hibernating, 2025
Acrylic, Cheesecloth & Steel Armature
24" x 24" x 12"
Let Go, 2024
Acrylic, Cheesecloth & Steel Armature
24" x 24" x 12"
Womb, 2024
Acrylic, Cheesecloth & Steel Armature
16" x 16" x 8"
Floating Peony, 2024
Acrylic, Cheesecloth & Steel Armature
18" x 16" x 10"