Selected Works
Margaret Nicoll makes soft sculptures and wall works about contradictory experiences and blurred boundaries - moments when intimacy and discomfort, holding and letting go, belonging and separation, containment and release, exist all at once.
Working with hand-dyed cheesecloth, pigment, acrylic, canvas, and steel, she uses wrapping, binding, veiling, repetition, and accumulation to build forms that shift between softness and structure, figure and abstraction, openness and enclosure.
Bodies and forms remain deliberately ambiguous - part figure, part landscape, part abstraction, allowing opposing readings to coexist without settling into a single meaning.
Soft Sculptures
Built through layers of hand-dyed cheesecloth, these sculptures use softness as both material and structure. Bodies are wrapped, gathered, bound, and accumulated into forms that can appear protective and burdened, connected and separate, vulnerable and imposing at once. Maternal figures, grouped bodies, animals, and other recurring forms function as motifs rather than fixed narratives, leaving their relationships and identities open to interpretation.
Mother & Baby, 2025
Cheesecloth & Steel Armature
26" x 24" x 24"
Mother & Child, 2026
Cheesecloth & Steel Armature
36" x 28" x 24"
Garden Wall Mother, 2026
Cheesecloth & Steel Armature
16" x16" x 16"
Weeping Woman No. 1, 2025
Cheesecloth & Steel Armature
38" x 36" x 24"
Weeping Woman No. 2, 2025
Cheesecloth & Steel Armature
28" x 28" x 22"
Weeping Woman No. 3, 2025
Cheesecloth & Steel Armature
18" x 14" x 14"
Ghosted, 2026
Cheesecloth & Steel Armature
22” x 18” x 14”
Horse Study I, 2026
Cheesecloth & Steel Armature
29” x 16” x 12”
Wall Works
The wall works move between painting and sculpture, using layers of pigment and fiber to blur the boundary between image and surface. Painted forms are veiled, interrupted, or partially obscured by dyed cheesecloth, allowing figures to emerge, merge, and disappear. Through translucency, repetition, and softened edges, the works explore the shifting boundaries between visibility and concealment, body and environment, belonging and separation.
Just Outside, 2026
Acrylic on Canvas, Cheesecloth
30” x 40”
The Group and Its Skin, 2026
Acrylic on Canvas, Cheesecloth
30” x 40” Each, Diptych
Friends, 2026
Acrylic on Canvas, Cheesecloth
30” x 40”
The Deeps, 2026
Acrylic, Cheesecloth & Steel Armature
40" x 30”
Exhausted, 2025
Cheesecloth & Steel Armature
28" x 40" x 6"