Selected Works

Margaret Nicoll makes soft sculptures and wall works about contradictory experiences and blurred boundaries - moments when intimacy and discomfort, holding and letting go, belonging and separation, containment and release, exist all at once.

Working with hand-dyed cheesecloth, pigment, acrylic, canvas, and steel, she uses wrapping, binding, veiling, repetition, and accumulation to build forms that shift between softness and structure, figure and abstraction, openness and enclosure.

Bodies and forms remain deliberately ambiguous - part figure, part landscape, part abstraction, allowing opposing readings to coexist without settling into a single meaning.

Soft Sculptures

Built through layers of hand-dyed cheesecloth, these sculptures use softness as both material and structure. Bodies are wrapped, gathered, bound, and accumulated into forms that can appear protective and burdened, connected and separate, vulnerable and imposing at once. Maternal figures, grouped bodies, animals, and other recurring forms function as motifs rather than fixed narratives, leaving their relationships and identities open to interpretation.

soft cheesecloth sculpture of mother holding baby by margaret nicoll

Mother & Baby, 2025
Cheesecloth & Steel Armature
26" x 24" x 24"

Mother & Child, 2026
Cheesecloth & Steel Armature
36" x 28" x 24"

Garden Wall Mother, 2026
Cheesecloth & Steel Armature
16" x16" x 16"

A colorful seated woman leaning over her crossed legs, textured cheesecloth stacked with the yellow at the bottom, pink in the middle, and blue on top.

Weeping Woman No. 1, 2025
Cheesecloth & Steel Armature
38" x 36" x 24"

A colorful seated woman leaning over her crossed legs, textured cheesecloth stacked with the yellow at the bottom, pink in the middle, and blue on top.

Weeping Woman No. 2, 2025
Cheesecloth & Steel Armature
28" x 28" x 22"

A colorful seated woman leaning over her crossed legs, textured cheesecloth stacked with the yellow at the bottom, pink in the middle, and blue on top.

Weeping Woman No. 3, 2025
Cheesecloth & Steel Armature
18" x 14" x 14"

Ghosted, 2026
Cheesecloth & Steel Armature
22” x 18” x 14”

Horse Study I, 2026
Cheesecloth & Steel Armature
29” x 16” x 12”

Wall Works

The wall works move between painting and sculpture, using layers of pigment and fiber to blur the boundary between image and surface. Painted forms are veiled, interrupted, or partially obscured by dyed cheesecloth, allowing figures to emerge, merge, and disappear. Through translucency, repetition, and softened edges, the works explore the shifting boundaries between visibility and concealment, body and environment, belonging and separation.

Just Outside, 2026
Acrylic on Canvas, Cheesecloth
30” x 40”

The Group and Its Skin, 2026
Acrylic on Canvas, Cheesecloth
30” x 40” Each, Diptych

Friends, 2026
Acrylic on Canvas, Cheesecloth
30” x 40”

The Deeps, 2026
Acrylic, Cheesecloth & Steel Armature
40" x 30”

A hitch cover featuring a 3D textured design of blue and pink flowers on a white background.

Exhausted, 2025
Cheesecloth & Steel Armature
28" x 40" x 6"